The Quickest Way To Make 360 Renders in 3ds Max + How To Render Multiple Views On One Machine

The Quickest Way To Make 360 Renders in 3ds Max + How To Render Multiple Views On One Machine

Today I am going to show you how to create 360 stereoscopic renders. We can use these 360's on Websites, Apps, Facebook, Youtube, Octulus Rift and Google Cardboard. I will also show you how you can render multiple views locally on one machine. In a later lesson I will show you how to add hotspots. But first let's create some 360's. You can download the step by step PDF including the render settings.

Meloy Architects Passivhaus

Meloy Architects   Passivhaus

This project was for the award winning architectural practice Meloy Architects. The build is on a private plot of land on the edge of Fulking. A stunning four bedroom 'Passivhaus' with a fabulous Pavillion-style viewing floor. Completely at ease with the contours of the environment and maximising the enjoyment of the panoramic views over the surrounding National Park.

Fed Up of having to Rasterize your Image in Photoshop?

Fed Up of having to Rasterize your Image in Photoshop?

It has taken me way to long to get this tip out there but I here goes. Whenever I drag an image into Photoshop is doesn't allow me to edit it until I Rasterize the smart object. There is a way to 'Auto Rasterize' an image when it is dragged into photoshop so you don't have to do it each time. You can change this in Preferences and then you will no longer have to go through the pop up message, added up this could save some time.

The Future of 3D Visualisation

"Then you better start swimmin' Or you'll sink like a stone

For the times they are a-changin'"

Bob Dylan - The Times They Are A-changin'

I love playing with the latest technologies and discovering future trends in the CGI industry. It is a fast moving field and you have to keep up if you want to be on top of your game. But it is easy to get carried away with the new 'super powers' these tools give you. With software getting easier to use more interior designers and architects are willing to try there hand at creating renders with good results. Is this bad news for the Visualisation Artist?

In a recent interview with the University of Creative Arts, I was asked my views on the future of the 3D Visualisation. This got me thinking about the future of the industry in terms of the artist and not the technology. I remember Lon Grohs of Choas Group saying at last years End User Event in Utrecht

"The last 10% is art, that matters, 90% is the tools"

I then started pondering the idea that we could be reaching a new era of art. Just like we did at the beginnings of the impressionism era. During this time we saw the invention and then the wide spread use of cameras. This made the need for highly realistic paintings less in demand, pushing artists to develop unique and creative styles rather than strive for realism. With talent and patience many extraordinary 3D artists are proving photorealism can be achieved. Meaning it is only a matter of time before more will follow in their footsteps. Once something has been proved possible many will then have the belief that it can be accomplished. In the same way the The Four-minute mile running barrier was broken, "It was first achieved in 1954 by Roger Bannister in 3:59.4. The "four-minute barrier" has since been broken by many male athletes, and is now the standard of all male professional middle distance runners."

Software is developing so rapidly that most interior designers and architects without much prior 3D knowledge will easily be able to turn their ideas into realistic renders. This could mark a turning point from photorealism to a more unique style like companies such as Mir and Luxigon  have developed.

SPACEGROUP - Oslo Station - Oslo, NO by

If we take Disney for example the have the skills to create highly realistic renders but in recent shorts such as Paperman and Feast they have opted to go for more stylised looks.

Feast by Disney

When cameras first arrived there were professionals with expensive equipment and a vast understanding of the equipment to take pictures. Then it become a lot more accessible for the majority of people to take pictures. But there was still room for professional, uniquely skilled cameramen and there still is today. So what does this mean for the professional cameramen of the virtual world? We need to develop unique styles, a photographer does more than aim and click a button and so should we. If you fear that anyone being able to create realistic 3D renders is going to be detrimental to your profession you are looking at it all wrong. Everyone being able to create 3D renders is going to push you to get better, create better images and as a whole will benefit you as a creative and the industry.

I bet you spend considerably less time now setting up lighting and modeling furniture than a few years ago. The time freed up will enable us to be more inventive in how we use our individual creative uniqueness.

Anything that enables us to work less like machines and enable us to think more creatively is a pro in my eyes.

The future is good and is looking better because technology is becoming easier to use. This opens up visualisation to a wider audience and rather than fearing software that enables more people to create high quality images we should be happy. This will mean less monotonous work for us and in turn our work will improve because we will have to develop our artistic uniqueness rather than our skills with the software.

Many Thanks to Tom Glimps @tomglimps and Simone Giampaolo @SGiampaolo for there help with this article.

Harpers Bazaar and a BMW rendered in Corona A7

HP Spread 1

A couple of pieces to report this month, firstly I went to EUE in Utrecht back in June, as usual it was great to catch up with the CG heads and learn lots of interesting things about 3D. Particular highlights were meeting Eric de Broche of Luxigon fame and Nils Norgrens from Neoscape's talk on leadership and starting a company. Write up coming soon. Whilst I was at EUE I bumped into Adam Hotovy who was kind enough to give me an early release of Corona A7. I took it for a spin with the new BMW i7. Corona is unbelievabley easy to use, get the conversion script from the forum and pretty much hit render and your good. I left it overnight and this is what I got, I did some minor color adjustments in Photoshop, but here that is now built in to the release version.



Harpers Bazaar also did a piece on the super yacht I have been working on recently. The images they used included a double page spread and some older interior images.